The emphasis on rhythms and letting them breathe is a mainstay of this record's sound, and the band add an array of ear-catching textures to the tracks as they progress, certainly demanding some repeated listening. This track has some great energy provided by the drumming of Joe Dilworth and once again the band shows off its creative muscle by easily maneuvering between differing repeating synth passages. 'Insect Fear' brings more a more Kraftwerk-like pace and some really great repeating organ parts that blend so well with the mix of gritty electric guitars.

This band is all about creating rhythm and krautrock-like grooves, a completely hypnotic effect throughout the duration of the record. The echoing stereo guitars and electronic manipulation add to the amazing textures of this track. 'Blowing my Nose Under Close Observation' begins with some fantastic sputtering synth bass lines that quickly change into a dreamy arpeggio pattern and back into the established trippy groove. This is art, and a mesmerizing opening track that only hints at the brilliant journey to come. It is easy to get lost in the trance like feel of this track and be rewarded when the enlightening bell like ringing guitars towards the outro clear the air. The opening track continues for its 13-minute duration with crashing reverse cymbal washes and gorgeous dub delayed guitar shrapnel. Tim Gane has always been a skillful arranger and these tracks absolutely benefit from the longer form, taking their time to grow and evolve into stunning soundscapes. This track is a perfect example of how masterfully this band can create complex arrangements with uncommon time signatures and make it sound effortlessly created. The opening track 'Tardis Cymbals' begins with pastoral, chiming, delayed guitars and is joined by a pulsing drum machine beat that carries the song along to great heights. This monster of an album contains 12 tracks full of metronomic beats and relentless bass lines that create an amazing framework for the cascading sounds to explore.

This sprawling 72-minute sonic journey also features some stellar vocal work from Bradford Cox of Deerhunter and Spacemen 3's Sonic Boom, as well as sound processing from Jan St. Cavern of Anti-Matter, a trio consisting of Stereolab mastermind Tim Gane, former Stereolab drummer Joe Dilworth and electronic artist Holger Zapf, are set to release their debut record entitled 'Void Beats/Inovocation Trex'.

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